06 September 2011

Carlos Forster - Campfire Songs (2011)



Ever notice how in pop songs the words can suggest a quite different meaning from the instruments? Take for instance something obvious like Every Breath You Take from The Police. Listen to the guitars and it sounds like an all-out ballad intended to leave the listener loved up to the hilt. Take the words in isolation though and it resembles the manifesto of a psychotic. This is a common thing in pop music. However the problem comes in deciding whether the difference between the instruments and words is intended to soften the overall meaning - or provide contrast. For someone as pretentious as Sting he might have intended a joke on his audience - presenting something deranged as something romantic using the guitar. For Carlos Forster in Campfire Songs however his intention is a bit less clear.

The song provides advice to people facing death that - upon entering heaven - it is important above all else to remember the campfire songs for in fact there is nothing else. That sounds depressing – right? Except that his ramshackle guitar tone takes the edge from this and makes the song quite comforting. In fact had I not listened to the words I’d have had no idea it presented such a morbid sentiment. How then to reconcile the grim content from the blissed-out sound? I suppose on the one hand Forster might be - like Sting - intending a joke. He might be laughing at people that make light of religious topics - suggesting that people lacking serious ideas are ridiculous. To be honest though I sorta doubt this. Forster sounds much too sincere to be attempting something deconstructive. On the other hand then he might be – as I suggested earlier - using his instruments to soften his message. Thinking about death is not fun and in bringing a blissed-out guitar tone to the subject Forster removes its sting. He does not undermine death and the afterlife - he mentions both God and Satan in a respectful tone. But I guess that Campfire Songs is intended as a balm to people concerned about death in that Forster uses instruments to tackle a tough topic in a comforting form. Nice!