Ever notice how in pop songs the words can 
suggest a quite different 
meaning from the instruments? Take for instance 
something obvious like Every Breath You Take from The 
Police. Listen to the guitars and it sounds like an all-out ballad intended 
to leave the listener loved up to the hilt. Take the 
words in isolation though and it resembles the 
manifesto of a psychotic. This is a common thing in 
pop music. However the problem comes in deciding whether the difference between the instruments 
and words is intended to soften the overall meaning - or provide contrast. For someone as 
pretentious as Sting he might have intended a joke on 
his audience - presenting something deranged as 
something romantic using the guitar. For Carlos 
Forster in Campfire Songs however his intention is a 
bit less clear.
The song provides advice to people facing 
death that - upon entering heaven - it is important above all else 
to remember the campfire songs for in fact there is nothing else. That 
sounds depressing – right? Except that his ramshackle 
guitar tone takes the edge from this and makes the 
song quite comforting. In fact had I not listened to the words I’d have 
had no idea it presented such a morbid sentiment. How 
then to reconcile the grim content from the blissed-out sound? I suppose on the one hand Forster might be - like Sting - intending a joke. 
He might be laughing at people that make light of 
religious topics - suggesting that people lacking 
serious ideas are ridiculous. To be honest though 
I sorta doubt this. Forster 
sounds much too sincere to be attempting something deconstructive. On the other hand then he might be – as I 
suggested earlier - using his instruments to soften 
his message. Thinking about death is not fun 
and in bringing a blissed-out guitar tone to the 
subject Forster removes its sting. He 
does not undermine death and the afterlife - he mentions both God and Satan in a respectful tone. But I guess that Campfire Songs is intended as a balm to people 
concerned about death in that Forster uses instruments to 
tackle a tough topic in a comforting form. Nice!
 
